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dc.contributor.authorSpielmann, Yvonneen_US
dc.contributor.authorWelle, Anjaen_US
dc.contributor.authorJones, Stanen_US
dc.date.accessioned2020-08-03T08:48:10Z
dc.date.available2020-08-03T08:48:10Z
dc.date.issued2013en_US
dc.identifier.isbn978-0-262-01919-4en_US
dc.identifier.isbn9780262315661en_US
dc.identifier.isbn9781461935674en_US
dc.identifier.otherHPU2164243en_US
dc.identifier.urihttps://lib.hpu.edu.vn/handle/123456789/33377
dc.description.abstractThis book grew out of Yvonne Spielmann's 2005--2006 and 2009 visits to Japan, where she explored the technological and aesthetic origins of Japanese new-media art--which was known for pioneering interactive and virtual media applications in the 1990s. Spielmann discovered an essential hybridity in Japan's media culture: an internal hybridity, a mixture of digital-analog connections together with a non-Western development of modernity separate from but not immune to Western media aesthetics, and external hybridity, produced by the international, transcultural travel of aesthetic concepts.en_US
dc.format.extent277p.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoenen_US
dc.publisherMIT Pressen_US
dc.subjectCultural fusion and the artsen_US
dc.subjectNew media arten_US
dc.subjectJapanen_US
dc.titleHybrid culture : Japanese media arts in dialogue with the Westen_US
dc.typeBooken_US
dc.size42,9 MBen_US
dc.departmentSociologyen_US


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