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dc.contributor.authorPrudentiusen_US
dc.contributor.authorMalamud, Martha Aen_US
dc.date.accessioned2017-12-26T02:55:44Z
dc.date.available2017-12-26T02:55:44Z
dc.date.issued2011en_US
dc.identifier.isbn0801442222en_US
dc.identifier.isbn978-0-8014-4222-3en_US
dc.identifier.isbn9780801463051en_US
dc.identifier.isbn080146305Xen_US
dc.identifier.isbn978-0-8014-8872-6en_US
dc.identifier.isbn0801488729en_US
dc.identifier.otherHPU4161824en_US
dc.identifier.urihttps://lib.hpu.edu.vn/handle/123456789/28616
dc.description.abstractAurelius Prudentius Clemens (348-ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius'sHamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years,Hamartigeniais critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since-most notably John Milton, whoseParadise Lostowes much of its conception of language and its strikingly visual imagery to Prudentius's poem.en_US
dc.format.extent235 p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoenen_US
dc.publisherCornell University Pressen_US
dc.subjectEnglish translationen_US
dc.subjectHamartigeniaen_US
dc.subjectOrigin of sinen_US
dc.titleThe origin of sin: an English translation of the Hamartigeniaen_US
dc.typeBooken_US
dc.size2.82Mben_US
dc.departmentSociologyen_US


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