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dc.contributor.authorKassabian, Anahiden_US
dc.date.accessioned2017-06-21T02:17:01Z
dc.date.available2017-06-21T02:17:01Z
dc.date.issued2013en_US
dc.identifier.isbn0520275152en_US
dc.identifier.isbn9780520275157en_US
dc.identifier.otherHPU4160922en_US
dc.identifier.urihttps://lib.hpu.edu.vn/handle/123456789/25819
dc.description.abstractHow does the constant presence of music in modern life—on iPods, in shops and elevators, on television—affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In Ubiquitous Listening, Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues for a new examination of the music we do not normally hear (and by implication, that we do), one that examines the way it is used as a marketing tool and a mood modulator, and exploring the ways we engage with this music.en_US
dc.format.extent182 p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoenen_US
dc.publisherUniversity of California Pressen_US
dc.subjectPopularen_US
dc.subjectMusical Genresen_US
dc.subjectMusicen_US
dc.subjectUbiquitous Listeningen_US
dc.titleUbiquitous Listening: Affect, Attention, and Distributed Subjectivityen_US
dc.typeBooken_US
dc.size0.98Mben_US
dc.departmentSociologyen_US


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