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dc.contributor.authorSzabo, Carmenen_US
dc.date.accessioned2017-06-08T03:34:42Z
dc.date.available2017-06-08T03:34:42Z
dc.date.issued2007en_US
dc.identifier.isbn1847181805en_US
dc.identifier.isbn9781847181800en_US
dc.identifier.otherHPU1160457en_US
dc.identifier.urihttps://lib.hpu.edu.vn/handle/123456789/24855en_US
dc.description.abstractClearing the Ground The Field Day Theatre Company and the Construction of Irish Identities studies the Field Day Theatre Company, with special focus on the plays that they put on stage between 1980 and 1995 it attempts to dissect their policy and observe the way in which this policy influences the discourse of the theatrical productions. Was Field Day simply the cultural wing of Sinn Fein and the IRA, or did they try to give voice to a new critical discourse, challenging the traditional frames of representation? This book focuses on a thorough analysis of the way in which Field Day applied the concepts of postcolonial discourse to their own needs of creating a foundation for the ideological manifesto of the company. This study is a critique of the successes and failures of a theatre company that, in a period of political and cultural crisis, engaged in innovative ways of discussing the sensitive issues of identity, memory and history in Northern Ireland and the Republic of Ireland.en_US
dc.format.extent250 p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoenen_US
dc.publisherCambridge University Pressen_US
dc.subjectThe playsen_US
dc.subjectTheatrical productionsen_US
dc.subjectHistory in Northern Irelanden_US
dc.title"Clearing The Ground": The Field Day Theatre Company And The Construction Of Irish Identitiesen_US
dc.typeBooken_US
dc.size915 KBen_US
dc.departmentSociologyen_US


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