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dc.contributor.editorBatty, Craigen_US
dc.contributor.editorKerrigan, Susanen_US
dc.date.accessioned2018-04-24T03:55:51Z
dc.date.available2018-04-24T03:55:51Z
dc.date.issued2018en_US
dc.identifier.isbn978-3-319-62836-3en_US
dc.identifier.isbn978-3-319-62837-0en_US
dc.identifier.otherHPU2162296en_US
dc.identifier.urihttps://lib.hpu.edu.vn/handle/123456789/30564en_US
dc.description.abstractAimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media practice—the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects.en_US
dc.format.extent273p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoenen_US
dc.publisherPalgrave Macmillanen_US
dc.subjectFilm Productionen_US
dc.subjectScreen Productionen_US
dc.subjectFilmmakingen_US
dc.subjectMobile mediaen_US
dc.subjectDocumentary productionen_US
dc.titleScreen Production Research: Creative Practice as a Mode of Enquiryen_US
dc.typeBooken_US
dc.size3.67 MBen_US
dc.departmentTechnologyen_US


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