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dc.contributor.authorWright, Steveen_US
dc.date.accessioned2018-03-09T03:43:28Z
dc.date.available2018-03-09T03:43:28Z
dc.date.issued2010en_US
dc.identifier.isbn024081309Xen_US
dc.identifier.isbn9780240813097en_US
dc.identifier.isbn9780240813103en_US
dc.identifier.otherHPU4162062en_US
dc.identifier.urihttps://lib.hpu.edu.vn/handle/123456789/29542
dc.description.abstractThis book is about hands-on digital compositing techniques in the quest for photo-realism in feature film and video digital effects. Of course, artistic training is an essential ingredient to achieving photo-realism, as it is in art class that you learn how things are supposed to look. But the other require-ment is mastery of your tools and the technology. Knowing what the picture should look like will do little good if you can’t bend the images to your vision. Reading the owner’s manual will teach you how to operate your compositing software, but it will not teach you how to pull a good matte from a badly lit bluescreen or what to do when banding erupts in a digital matte painting. It is the difference between the owner’s manual for a car and driving school. The first teaches you where the knobs are, and the second how to use them to actually get somewhere.en_US
dc.format.extent513 p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoenen_US
dc.publisherFocal Pressen_US
dc.subjectDigital Compositingen_US
dc.subjectFilmen_US
dc.subjectVideoen_US
dc.titleDigital Compositing for Film and Video, Third Editionen_US
dc.typeBooken_US
dc.size15.5 MBen_US
dc.departmentTechnologyen_US


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