Please use this identifier to cite or link to this item:
https://lib.hpu.edu.vn/handle/123456789/33377
Full metadata record
DC Field | Value | Language |
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dc.contributor.author | Spielmann, Yvonne | en_US |
dc.contributor.author | Welle, Anja | en_US |
dc.contributor.author | Jones, Stan | en_US |
dc.date.accessioned | 2020-08-03T08:48:10Z | - |
dc.date.available | 2020-08-03T08:48:10Z | - |
dc.date.issued | 2013 | en_US |
dc.identifier.isbn | 978-0-262-01919-4 | en_US |
dc.identifier.isbn | 9780262315661 | en_US |
dc.identifier.isbn | 9781461935674 | en_US |
dc.identifier.other | HPU2164243 | en_US |
dc.identifier.uri | https://lib.hpu.edu.vn/handle/123456789/33377 | - |
dc.description.abstract | This book grew out of Yvonne Spielmann's 2005--2006 and 2009 visits to Japan, where she explored the technological and aesthetic origins of Japanese new-media art--which was known for pioneering interactive and virtual media applications in the 1990s. Spielmann discovered an essential hybridity in Japan's media culture: an internal hybridity, a mixture of digital-analog connections together with a non-Western development of modernity separate from but not immune to Western media aesthetics, and external hybridity, produced by the international, transcultural travel of aesthetic concepts. | en_US |
dc.format.extent | 277p. | en_US |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | en_US |
dc.publisher | MIT Press | en_US |
dc.subject | Cultural fusion and the arts | en_US |
dc.subject | New media art | en_US |
dc.subject | Japan | en_US |
dc.title | Hybrid culture : Japanese media arts in dialogue with the West | en_US |
dc.type | Book | en_US |
dc.size | 42,9 MB | en_US |
dc.department | Sociology | en_US |
Appears in Collections: | Sociology |
Files in This Item:
File | Description | Size | Format | |
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Hybrid-culture.pdf Restricted Access | 44 MB | Adobe PDF | View/Open Request a copy |
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