Please use this identifier to cite or link to this item: https://lib.hpu.edu.vn/handle/123456789/31278
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dc.contributor.editorRamel, Frédéricen_US
dc.contributor.editorPrévost-Thomas, Cécileen_US
dc.date.accessioned2018-10-25T02:47:02Z
dc.date.available2018-10-25T02:47:02Z
dc.date.issued2018en_US
dc.identifier.isbn978-3-319-63162-2en_US
dc.identifier.isbn978-3-319-63163-9en_US
dc.identifier.otherHPU2162790en_US
dc.identifier.urihttps://lib.hpu.edu.vn/handle/123456789/31278-
dc.description.abstractThis volume explores the interrelation of international relations, music, and diplomacy from a multidisciplinary perspective. Throughout history, diplomats have gathered for musical events, and musicians have served as national representatives. Whatever political unit is under consideration (city-states, empires, nation-states), music has proven to be a component of diplomacy, its ceremonies, and its strategies. Following the recent acoustic turn in IR theory, the authors explore the notion of “musical diplomacies” and ask whether and how it differs from other types of cultural diplomacy. Accordingly, sounds and voices are dealt with in acoustic terms but are not restricted to music per se, also taking into consideration the voices (speech) of musicians in the international arena.en_US
dc.format.extent303p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoenen_US
dc.publisherPalgrave Macmillanen_US
dc.subjectInternational Relationsen_US
dc.subjectMusicen_US
dc.subjectDiplomacyen_US
dc.titleInternational Relations, Music and Diplomacy : Sounds and Voices on the International Stageen_US
dc.typeBooken_US
dc.size3.12 MBen_US
dc.departmentSociologyen_US
Appears in Collections:Sociology

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